WORKFLOW
Fieldwork is a very important aspect in the making of an accurate illustration of a species. Seeing the subjects in their natural habitat is often the very first step. Keeping a nature journal with field sketches helps me get familiar with the character of the species and makes is easier to capturing its essence in the final illustration. Looking through a spotting scope I make (visual) notes of the animals I'm studying.
![469547680_10161182289218369_2352075324829074542_n_10161182289183369.jpg](https://static.wixstatic.com/media/32991d_bd1a208a9fc4490882e6bdaea1511028~mv2.jpg/v1/fill/w_689,h_250,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/469547680_10161182289218369_2352075324829074542_n_10161182289183369.jpg)
01. SKETCHING PHASE
Getting to know the general shapes, anatomy and character of the species by making sketches is always the very first step. Besides fieldwork a visit to a wildlife sanctuary of the archives of a natural history museum can help to study details and compare different specimens. Any research or reference material that can be helpful is collected.
02. LINE DRAWING & DESIGN
Back in his studio all studies and photographic footage collected in the field will help in making the final drawings. I will look for an optimal visualisation which shows all typical aspects of the species and translate it in a rough line drawing. When an extensive panel of the species is required I will discuss all important behaviour that needs to be visualised with the client and provide a basic design.